Hot Feet (F/F, F/FF) - Chapter 7
Posted: Mon Mar 17, 2025 11:52 am
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Hot Feet
Monday, August 12, 2019
Got a foot fetish? Then I can hope parts of this story will grab your attention. Want to see some M/F action beyond the usual F/F featured at Maddy Tied Her? Tell me in the comments as we’re going along. After all, we aim to please. I’m Nichole Blakely, and I’ll be telling you what goes down on the beach—hot girls, bondage, and feet—and how I see the girls of the crew.
What makes this different from typical film stories is that (1) I’ll be switching across the roles of camera operator, rigger, and damsel-in-distress, (2) there’ll be wrapping narrations outside of the films themselves, and (3) we are listening to you, our viewers, and aim to please. I promise it’ll not get too dry, and if we have time I’ll even tell you about the tryst I had with my husband and a friend with her husband at the end of a long, hot, busy day.
CHAPTER 1: Florida Summer
We’d finished filming The Pirate Queens on Sunday morning, but following FetCon in St. Petersburg, which I didn’t attend, and even during it, we made films on scene in Florida. I think Maddy’s admirer had granted her continued use of the yacht, but we were going for scenes of a grittier nature. In fact, we decided to seek out the grit. I mean, of course, the beach!
Beautiful sun, heat, and humidity like this aren't foreign to our Minnesota senses, but they have intensity like we’d never experienced. This was going to be something else; I could feel it in my bones; for once, my limp wasn't crippling. It was a day for bikinis, tanning lotion, and bondage. I’ve got to admit, I’d never felt so excited to be working with Mary-Ann and company. There were so many of us here that I am only going to focus on individuals when necessary
“Hot Feet, huh?†I asked Mary-Ann as we rode along to the beach where we were filming.
“Yeah! Since each film features hopping on a hot beach. It’ll be tons of fun!â€
Well, seven films, featuring bound and gagged girls hopping on hot sand. How much foot stuff was in each was a variable, but I’m not a foot fetishist anyway. This is for you, the people who like bondage and/or feet. I say this knowing I rode in this vehicle with at least two friends who do enjoy such things and would even be featured doing it in a film still to come.
In this film, I was the camera operator because Mary-Ann said I capture the right moments and know when to zoom in on a particular part of the action, whether a face, the binding of part of the captive’s body, or maybe just exposed breasts. Yes, be prepared to see lots of boobies over the next few chapters. I was getting ready for this, and despite the oppression that may result as a result of the heat, I wore thin blue jeans and a thin-fabricked white turtleneck for protection.
The navy blue kerchief bandana that held my hair back was perfect in this wind. While I could not live here year round, for 10 days, I could tolerate and enjoy it. My leg felt so good despite all the damage it had suffered over the years. In fact, it was the best it had felt since being so badly damaged. I stood up strong, ready to film, and just as ready to adjust as needed.
I turned to watch our rigger of the moment tying up the star for our first film, Ashley Calland, a French girl who was dressed to show off her national identity. Ashley had a French flag bandana as a headband; she always had a bandana headband and never anything else on her head. It was a perfect match for the blue of her bikini. The brown hair danced around her shoulders, but the rest of her was the sight.
Her brown eyes are innocent, profound, mischievous, and seductive. Want to play a simple, fun game? Maybe go kidnap someone? If you like girls, want to make love? Or maybe it’s a deep spiritual conversation you seek? Ashley Calland could do all these things with equal ease. The girl seemed slender, but her strong muscles showed with natural ease. Dress her in something sexy, and she was no longer just any other pretty girl.
Besides the muscles, there were three other things that were apparent: her navel piercing, which for a beach film was something simple and shiny to show off her abs. Second, was her size, as she stands at 5’7†with all the described features. Third was the unassuming smile that greeted her friends, but she had (still has) a heart that guarded itself closely against potential harm.
“This is nice,†she commented while I took a few pictures of her, “I want this just right, girls.â€
“What’s that mean, Ashley?†Mary-Ann asked as if they haven’t discussed this before.
“The second time you appear, tighten all the ropes. Be cruel like you hate me. Tighten the gag.â€
“Ash,†our boss peered into the French girl’s eyes, “I can see it means something to you. OK.â€
“Merci,†Ashley then looked at me for reassurance, and I nodded in approval of her choice.
“Ash,†I even smiled, “You’re a warrior who’s survived so much. Keep on winning.â€
We have a strange rule here: if the girl is tied up before the film begins, then someone who is not her in-film-captor ties her up. Ashley’s wrists and elbows were easily tied behind her back, and her ankles, knees, and lower and upper thighs were tied as well. A classic head harness with a 2.5 inch red ball gag silenced her, and the straps were snug but intentionally not too tight either.
Then there was Mary-Ann, playing the part of the kidnapper. She wore a green swimsuit, a one piece, and a green kerchief bandana. This wildcat was so perfect. She did cartwheels down the beach as a warmup. She learned to do these things on her own, and she still has a flip phone at this point of her life despite owning the studio. Ironically, the captive was, and still is, the one in charge of the technology side of the studio, editing videos, uploading them, and managing email.
Ashley was carefully laid down in the sand here, about 6 feet from the edge of the present surf. I set up my camera and shouted “And… we’re live!†with Ashley now pretending to be out cold at the beginning here. We’ll now watch what unfolded through my camera lens as Ashley Calland transformed into the damsel-in-distress Genevieve Badeaux while Mary-Ann transformed into a wild captor named Maddy Vee. We were making a good old-fashioned bondage film, which is a very different thing from classic TUGs but fun in its own right. We’ll see how my limp went.
We had two lines across the sand going south on the beach from where we set up our tent. The first line was bright blue: no one except me was to cross to the south of that line. The second line was red: the actresses were to stay south of that line. Only I crossed lines now. Here we go:
Hot Feet 1: Genevieve Badeaux
The girl laid in the sand, bound and gagged as I described and dressed as I described. She wasn’t stirring, because she was out cold, chloroformed by her captor. The only sounds are the surf and the gulls. The air is salty; the sky is blue; the sun is hot; the clouds are big and puffy. I zoom in on her bound form, starting at her ankles and going up to her head. As I do so, she stirs.
She opened her eyes and immediately could tell something was wrong with her situation. She should be able to stretch out her limbs, but instead she found they’re tied in inescapable fashion. I could feel the groan she let out as she sat up and realized that she’d been knocked out, captured, and abandoned on a hot beach in the heat of Florida summer. She looked around to find solitude.
“Gmmmmmmmmm!†she yelled into the head harness ball gag, starting the drooling.
With a twist, the captive discovered her wrists and elbows were brutally bound. There had been a very carefully planned method in this assault upon her. She looked down, and she saw that she was also bound at her ankles, knees, and lower and upper thighs. This was an extremely tight situation in which she found herself. The groan she let out was distressed and terrified by the situation, and a terrifying question comes to mind. She looked all around and saw no sign of life.
The sun was blazing hot. She could feel it in her bones, but what was really distressing was the location of her captivity. She was alone on an uninhabited island. Her sunscreen was providing a way for sand to stick to her body, and she winced at the temperature. She was in trouble and knew it. She won't get anywhere by sitting around like this and drooling. She had to escape!
She rocked herself back and forth and tried to spring herself up to standing, but she failed on her first attempt. With a deep breath and a growl, she repeated the process with success. She was on her feet now, and the heat of the sand was quite obvious in her body now. Now she had to hop to safety despite the heat that seemed to wish to set her ablaze. I showed her prone feet hopping up and down; her wincing was obvious. The sand was painfully hot on her bare feet. There was no escape from this though. It was horrible, but it was just what she wanted when we planned this.
“Mmmmmmmmm!†she huffed and drooled; it dribbled down her chest or to the sand.
She hopped and drooled. She drooled and hopped. The ropes were good and fast. There was no hope for escape from this ropework, but she still snarled and snapped in frustration when each of her efforts failed. She was determined to escape, but, as she hopped along, a green flash dashed into view and—BOOM! Down the captive went to the sound with a big girl in a green full-body swimsuit on top of her.
“GMMMMMMMMMMMMM!†the captive howled in distress at this treacherous action.
“Hi! Remember me?†the attacker had a matching green kerchief bandana, “From the contest?â€
“Hmm?†there was a moment of thought, “Oooohhhh!â€
“Yeah, the swimsuit contest. I want to win, and that judge was thinking too much about your tits and figure, so I brought you here so you’ll miss the check-in deadline! Hee hee heeeeeee!â€
With a few simple motions, the captive’s bikini top was untied and taken away, exposing her full breasts. The harness passed above and below her breasts, made a V between them, and cinched through the armpits. The rope was tight and unforgiving: it was nylon. White and pristine nylon rope was a tight way to be tied up. When properly made, it's resistant but doesn't cut you either. The waist and crotch rope were just as unforgiving, and together they restrained her trunk; white string was used to tie her big toes. The captor had seemingly thought of everything.
Now, the exposed captive got up on her knees, huffing and puffing because of the brutal Florida August sun. Where was salvation? She dropped to her belly and struggled, rolling in the sand that was the site of her imprisonment. But the unforgiving rope irritated her crotch. She tried to wiggle her toes, but it didn’t help her. She repeated the motion: rock, spring, stand, success. She was really huffing and puffing, but she was strong and regained her strength to hop. Even her piercing seemed affected, losing some of its luster in the heat, sun, and sand. Then the devil of devils, the crotch rope, dropped her to the sand. She let out a squeal, helpless, involuntary and forced. The girl lay down in the sand, huffing and puffing because of the orgasm.
“Gmmmmmmm!†she let out in frustration at the burning sensation that pulsed throughout all of her body. That surge of hormones felt so unfair, especially when it was wrought in such a nasty fashion. For a girl like her, who had an average recovery time, it was even worse because she now was clueless when it would happen again. When is a terrifying word in that context. She knew she would drop to the sand again at some point. It rob you of your agency. The moment allowed me to get on my knees in the sand, capturing the scene to perfection while she lay there so helpless, but I am glad to put the weight in my thighs for a moment instead of that lower leg.
She sat up again, but all this did was allow her to drool all over her breasts. That same technique was used; back to her feet. Hopping isn’t easy when your toes are tied like hers are. My job was to capture all the details, and Ashley hopped up and down the beach like she thought a Wendy’s or a Burger King would show up if she kept trying. Sadly, she was all alone in the metaphorical sense. She was abandoned—left to die? She didn’t know what was happening. She was sweaty, bound, gagged, exposed, and slowly sunburning. She seemed to be on her way to the races, as if she had confidence. The French girl’s hoppi—BOOM! That gave me a break; my leg hurt.
“Well, well, well, having fun, aren’t we?†the captor, Mary-Ann, declared with sadistic glee.
“Nmmmmmmm!†Ashley protested into her gag, desperate for release from this situation.
Mary-Ann held nothing but a solitary rope, "I thought a hogtie would make you happy."
The wild hair, the green kerchief, the natural tan, the wild expression. It was classic Maddy, and she loved her infamous role as the wildcat. Without a thought, the white nylon hogtied Ashley in a brutal manner in the sand, connecting her wrists and elbows. It was a tight spot for sure, but I knew Mary-Ann too well. This was about intensity, and she dialed the notch to 12 upon request.
The hogtie shifted the brunt of the sand’s heat to Ashley’s belly, thighs, and breasts, and the brunt of the sun was on her back and feet. Mary-Ann used a string to connect Ashley’s big toes toward the head harness. It was brutal. She checked and tightened each of the ropes to be very tight. It was all just as Ashley wanted. There was no circulation risk, but the rope marks would be deep. Mary-Ann pulled Ashley’s French flag bandana over her eyes and redid the knot before redoing the head harness straps to ensure there would be dents. The crotch rope was tightened, too.
The next insults were a tether and finger strings. The tether tied her knees to a nearby pole in the sand, restricting her ability to struggle. String tied each of her fingers to its companion from the other hand: one string at the base and one string at the third knuckle. One string to tie her hands at the palms; one for her thumbs. She was screwed, and, with every single rope being tightened just like the others and the fastening of the harness, she had no hope of escape. I sweat too!
Tickling followed, and Mary-Ann didn’t leave anything on the table. Those feet were vulnerable and sensitive. Mary-Ann’s fingers invaded Ashley’s most sensitive spots, but the feet received it more than anywhere else. The tickling was fierce, and I captured it all. Maddy’s fingers did a perfect job, and I made sure to catch the sweating, the jerking of the bound arms, and the drool pouring off the captive’s ball gag. It felt like forever, but it was 25 minutes of laughter, forming a drool pond in the sand, and sweating in the hot sun. Yes, Ashley iwas very red.
"That's good. It's hot. The birds will have fun picking your bones clean for sure!" Maddy taunted Ashley about the situation, "I doubt someone will find you and release you. It won't be me!"
“MMMMMMMMMMMMMM!†the captive wailed, “MMMMMMM!â€
And like that, Mary-Ann abandoned Ashley, ending an incredible scene. I didn’t get any burns because I was dressed so well, but Ashley? Man. That was just intense. Too intense. It was a bit too intense for my liking. She genuinely burned. Those wails were real. Why did she want to do this? Ash… this was the first time my friend wrote a script that… that worried me. Ash?
END OF FILM
I put down the camera. I was crying. We’d moved 200 feet down the beach over the course of the last 75 minutes, which was how long it has been since we started filming, despite how brief it might have seemed. I was worried about her. This wasn’t some deplorable form… of self-harm, was it? I quickly untied the tether and removed the head harness, “Ash! Ash!â€
“Ohhhhhhh,†she was lost in the moment, the crotch rope doing its thing, “So good.â€
“Ash, talk to me! Are you OK?! Quick! Someone help me carry her to the tent! QUICK!â€
“What is it?!†Mary-Ann was already on her way, “Ashley Calland, this was foolish!â€
“She’s burning. Help me move her first. Then we’ll untie her,†I said, and we picked her up.
"Ashley, I know you really wanted to do this like this," Mary-Ann sighed, "But you're cooked. Definitely some sunburn in patches. I know we like doing dangerous things, but real harm is not allowed on my film set,†I could hear disappointment, “Go to Nabber Cellar for that.â€
“I’m sorry… But I wanted to push and feel that danger and suffering.â€
We carried Ashley to the tent and put her down in there. It was really an open gazebo alongside a tent where we changed. We undid the hogtie and helped her to sit on a chair while she tried to regain her breath. I could see the regret in her eyes. She knew it: she had an unhealthy desire for pain as a form of catharsis. It was as much an eye-opener for her as it was for the rest of us. She crossed a line, and I think there was guilt mixed with satisfaction. She leaned back in the chair.
"I have never felt so helpless—I have let myself be choked, spanked, and otherwise hurt in hope of discovering something about myself—this was the most hopeless, dehumanizing moment of them all. I can never do something that intense ever again," Ashley sighed and looked around at her sand caked body and vulnerability and smiled with a plaintive sigh before Alexandra Watkins put a bottle up to her lips. Blue Raspberry Gatorade: Ashley’s favorite.
Then Ashley suddenly twitched. Something was rearing its head. Mary-Ann recognized it well after so many years of friendship that began when she and Ashley were in juvenile detention, an experience to which I cannot relate. Then it became clear. The film was a metaphor for Ashley’s life: how her aunt sexually abused her as a child, how her aunt murdered her mother and father in front of dozens of guests on Memorial Day in 2009, how Ashley killed her aunt to prevent others from also being killed, and how the then 11 year-old was brutally sentenced to 6 years in prison. I can’t imagine such pain in my own life, but Ashley cried while Mary-Ann and Alexandra, as a team, untied her. Alexandra had known Ashley longer than I even if she, like me, never went to prison. It was a moment of shared angst for all of us.
Ashley stood in silence while Alexandra sweetly rubbed aloe into her skin. We had two days left of filming scheduled, and Ashley would certainly not be doing anything topless in the films! We had to take care of her. Ash quietly drank her Gatorade until it was gone. I kept up with aloe on her feet and legs. She huffed and puffed just like she did back on the sand under the sun. There was a detectable sadness. No wonder she wanted pain: she had revisited her past and vanquished it through cinematic, cathartic, erotic art. She reclaimed her body, her pain, and her sexuality.
With that, she stooped, opened the cooler, and grabbed a bottle of her favorite ginger beer. She was too cool for root beer or ginger ale. No, this girl drank ginger beer. Wordlessly, she entered the tent. She hadn’t said a word, but everything she’d said had been perfectly understood by all.
END OF CHAPTER 1
Hot Feet
Monday, August 12, 2019
Got a foot fetish? Then I can hope parts of this story will grab your attention. Want to see some M/F action beyond the usual F/F featured at Maddy Tied Her? Tell me in the comments as we’re going along. After all, we aim to please. I’m Nichole Blakely, and I’ll be telling you what goes down on the beach—hot girls, bondage, and feet—and how I see the girls of the crew.
What makes this different from typical film stories is that (1) I’ll be switching across the roles of camera operator, rigger, and damsel-in-distress, (2) there’ll be wrapping narrations outside of the films themselves, and (3) we are listening to you, our viewers, and aim to please. I promise it’ll not get too dry, and if we have time I’ll even tell you about the tryst I had with my husband and a friend with her husband at the end of a long, hot, busy day.
CHAPTER 1: Florida Summer
We’d finished filming The Pirate Queens on Sunday morning, but following FetCon in St. Petersburg, which I didn’t attend, and even during it, we made films on scene in Florida. I think Maddy’s admirer had granted her continued use of the yacht, but we were going for scenes of a grittier nature. In fact, we decided to seek out the grit. I mean, of course, the beach!
Beautiful sun, heat, and humidity like this aren't foreign to our Minnesota senses, but they have intensity like we’d never experienced. This was going to be something else; I could feel it in my bones; for once, my limp wasn't crippling. It was a day for bikinis, tanning lotion, and bondage. I’ve got to admit, I’d never felt so excited to be working with Mary-Ann and company. There were so many of us here that I am only going to focus on individuals when necessary
“Hot Feet, huh?†I asked Mary-Ann as we rode along to the beach where we were filming.
“Yeah! Since each film features hopping on a hot beach. It’ll be tons of fun!â€
Well, seven films, featuring bound and gagged girls hopping on hot sand. How much foot stuff was in each was a variable, but I’m not a foot fetishist anyway. This is for you, the people who like bondage and/or feet. I say this knowing I rode in this vehicle with at least two friends who do enjoy such things and would even be featured doing it in a film still to come.
In this film, I was the camera operator because Mary-Ann said I capture the right moments and know when to zoom in on a particular part of the action, whether a face, the binding of part of the captive’s body, or maybe just exposed breasts. Yes, be prepared to see lots of boobies over the next few chapters. I was getting ready for this, and despite the oppression that may result as a result of the heat, I wore thin blue jeans and a thin-fabricked white turtleneck for protection.
The navy blue kerchief bandana that held my hair back was perfect in this wind. While I could not live here year round, for 10 days, I could tolerate and enjoy it. My leg felt so good despite all the damage it had suffered over the years. In fact, it was the best it had felt since being so badly damaged. I stood up strong, ready to film, and just as ready to adjust as needed.
I turned to watch our rigger of the moment tying up the star for our first film, Ashley Calland, a French girl who was dressed to show off her national identity. Ashley had a French flag bandana as a headband; she always had a bandana headband and never anything else on her head. It was a perfect match for the blue of her bikini. The brown hair danced around her shoulders, but the rest of her was the sight.
Her brown eyes are innocent, profound, mischievous, and seductive. Want to play a simple, fun game? Maybe go kidnap someone? If you like girls, want to make love? Or maybe it’s a deep spiritual conversation you seek? Ashley Calland could do all these things with equal ease. The girl seemed slender, but her strong muscles showed with natural ease. Dress her in something sexy, and she was no longer just any other pretty girl.
Besides the muscles, there were three other things that were apparent: her navel piercing, which for a beach film was something simple and shiny to show off her abs. Second, was her size, as she stands at 5’7†with all the described features. Third was the unassuming smile that greeted her friends, but she had (still has) a heart that guarded itself closely against potential harm.
“This is nice,†she commented while I took a few pictures of her, “I want this just right, girls.â€
“What’s that mean, Ashley?†Mary-Ann asked as if they haven’t discussed this before.
“The second time you appear, tighten all the ropes. Be cruel like you hate me. Tighten the gag.â€
“Ash,†our boss peered into the French girl’s eyes, “I can see it means something to you. OK.â€
“Merci,†Ashley then looked at me for reassurance, and I nodded in approval of her choice.
“Ash,†I even smiled, “You’re a warrior who’s survived so much. Keep on winning.â€
We have a strange rule here: if the girl is tied up before the film begins, then someone who is not her in-film-captor ties her up. Ashley’s wrists and elbows were easily tied behind her back, and her ankles, knees, and lower and upper thighs were tied as well. A classic head harness with a 2.5 inch red ball gag silenced her, and the straps were snug but intentionally not too tight either.
Then there was Mary-Ann, playing the part of the kidnapper. She wore a green swimsuit, a one piece, and a green kerchief bandana. This wildcat was so perfect. She did cartwheels down the beach as a warmup. She learned to do these things on her own, and she still has a flip phone at this point of her life despite owning the studio. Ironically, the captive was, and still is, the one in charge of the technology side of the studio, editing videos, uploading them, and managing email.
Ashley was carefully laid down in the sand here, about 6 feet from the edge of the present surf. I set up my camera and shouted “And… we’re live!†with Ashley now pretending to be out cold at the beginning here. We’ll now watch what unfolded through my camera lens as Ashley Calland transformed into the damsel-in-distress Genevieve Badeaux while Mary-Ann transformed into a wild captor named Maddy Vee. We were making a good old-fashioned bondage film, which is a very different thing from classic TUGs but fun in its own right. We’ll see how my limp went.
We had two lines across the sand going south on the beach from where we set up our tent. The first line was bright blue: no one except me was to cross to the south of that line. The second line was red: the actresses were to stay south of that line. Only I crossed lines now. Here we go:
Hot Feet 1: Genevieve Badeaux
The girl laid in the sand, bound and gagged as I described and dressed as I described. She wasn’t stirring, because she was out cold, chloroformed by her captor. The only sounds are the surf and the gulls. The air is salty; the sky is blue; the sun is hot; the clouds are big and puffy. I zoom in on her bound form, starting at her ankles and going up to her head. As I do so, she stirs.
She opened her eyes and immediately could tell something was wrong with her situation. She should be able to stretch out her limbs, but instead she found they’re tied in inescapable fashion. I could feel the groan she let out as she sat up and realized that she’d been knocked out, captured, and abandoned on a hot beach in the heat of Florida summer. She looked around to find solitude.
“Gmmmmmmmmm!†she yelled into the head harness ball gag, starting the drooling.
With a twist, the captive discovered her wrists and elbows were brutally bound. There had been a very carefully planned method in this assault upon her. She looked down, and she saw that she was also bound at her ankles, knees, and lower and upper thighs. This was an extremely tight situation in which she found herself. The groan she let out was distressed and terrified by the situation, and a terrifying question comes to mind. She looked all around and saw no sign of life.
The sun was blazing hot. She could feel it in her bones, but what was really distressing was the location of her captivity. She was alone on an uninhabited island. Her sunscreen was providing a way for sand to stick to her body, and she winced at the temperature. She was in trouble and knew it. She won't get anywhere by sitting around like this and drooling. She had to escape!
She rocked herself back and forth and tried to spring herself up to standing, but she failed on her first attempt. With a deep breath and a growl, she repeated the process with success. She was on her feet now, and the heat of the sand was quite obvious in her body now. Now she had to hop to safety despite the heat that seemed to wish to set her ablaze. I showed her prone feet hopping up and down; her wincing was obvious. The sand was painfully hot on her bare feet. There was no escape from this though. It was horrible, but it was just what she wanted when we planned this.
“Mmmmmmmmm!†she huffed and drooled; it dribbled down her chest or to the sand.
She hopped and drooled. She drooled and hopped. The ropes were good and fast. There was no hope for escape from this ropework, but she still snarled and snapped in frustration when each of her efforts failed. She was determined to escape, but, as she hopped along, a green flash dashed into view and—BOOM! Down the captive went to the sound with a big girl in a green full-body swimsuit on top of her.
“GMMMMMMMMMMMMM!†the captive howled in distress at this treacherous action.
“Hi! Remember me?†the attacker had a matching green kerchief bandana, “From the contest?â€
“Hmm?†there was a moment of thought, “Oooohhhh!â€
“Yeah, the swimsuit contest. I want to win, and that judge was thinking too much about your tits and figure, so I brought you here so you’ll miss the check-in deadline! Hee hee heeeeeee!â€
With a few simple motions, the captive’s bikini top was untied and taken away, exposing her full breasts. The harness passed above and below her breasts, made a V between them, and cinched through the armpits. The rope was tight and unforgiving: it was nylon. White and pristine nylon rope was a tight way to be tied up. When properly made, it's resistant but doesn't cut you either. The waist and crotch rope were just as unforgiving, and together they restrained her trunk; white string was used to tie her big toes. The captor had seemingly thought of everything.
Now, the exposed captive got up on her knees, huffing and puffing because of the brutal Florida August sun. Where was salvation? She dropped to her belly and struggled, rolling in the sand that was the site of her imprisonment. But the unforgiving rope irritated her crotch. She tried to wiggle her toes, but it didn’t help her. She repeated the motion: rock, spring, stand, success. She was really huffing and puffing, but she was strong and regained her strength to hop. Even her piercing seemed affected, losing some of its luster in the heat, sun, and sand. Then the devil of devils, the crotch rope, dropped her to the sand. She let out a squeal, helpless, involuntary and forced. The girl lay down in the sand, huffing and puffing because of the orgasm.
“Gmmmmmmm!†she let out in frustration at the burning sensation that pulsed throughout all of her body. That surge of hormones felt so unfair, especially when it was wrought in such a nasty fashion. For a girl like her, who had an average recovery time, it was even worse because she now was clueless when it would happen again. When is a terrifying word in that context. She knew she would drop to the sand again at some point. It rob you of your agency. The moment allowed me to get on my knees in the sand, capturing the scene to perfection while she lay there so helpless, but I am glad to put the weight in my thighs for a moment instead of that lower leg.
She sat up again, but all this did was allow her to drool all over her breasts. That same technique was used; back to her feet. Hopping isn’t easy when your toes are tied like hers are. My job was to capture all the details, and Ashley hopped up and down the beach like she thought a Wendy’s or a Burger King would show up if she kept trying. Sadly, she was all alone in the metaphorical sense. She was abandoned—left to die? She didn’t know what was happening. She was sweaty, bound, gagged, exposed, and slowly sunburning. She seemed to be on her way to the races, as if she had confidence. The French girl’s hoppi—BOOM! That gave me a break; my leg hurt.
“Well, well, well, having fun, aren’t we?†the captor, Mary-Ann, declared with sadistic glee.
“Nmmmmmmm!†Ashley protested into her gag, desperate for release from this situation.
Mary-Ann held nothing but a solitary rope, "I thought a hogtie would make you happy."
The wild hair, the green kerchief, the natural tan, the wild expression. It was classic Maddy, and she loved her infamous role as the wildcat. Without a thought, the white nylon hogtied Ashley in a brutal manner in the sand, connecting her wrists and elbows. It was a tight spot for sure, but I knew Mary-Ann too well. This was about intensity, and she dialed the notch to 12 upon request.
The hogtie shifted the brunt of the sand’s heat to Ashley’s belly, thighs, and breasts, and the brunt of the sun was on her back and feet. Mary-Ann used a string to connect Ashley’s big toes toward the head harness. It was brutal. She checked and tightened each of the ropes to be very tight. It was all just as Ashley wanted. There was no circulation risk, but the rope marks would be deep. Mary-Ann pulled Ashley’s French flag bandana over her eyes and redid the knot before redoing the head harness straps to ensure there would be dents. The crotch rope was tightened, too.
The next insults were a tether and finger strings. The tether tied her knees to a nearby pole in the sand, restricting her ability to struggle. String tied each of her fingers to its companion from the other hand: one string at the base and one string at the third knuckle. One string to tie her hands at the palms; one for her thumbs. She was screwed, and, with every single rope being tightened just like the others and the fastening of the harness, she had no hope of escape. I sweat too!
Tickling followed, and Mary-Ann didn’t leave anything on the table. Those feet were vulnerable and sensitive. Mary-Ann’s fingers invaded Ashley’s most sensitive spots, but the feet received it more than anywhere else. The tickling was fierce, and I captured it all. Maddy’s fingers did a perfect job, and I made sure to catch the sweating, the jerking of the bound arms, and the drool pouring off the captive’s ball gag. It felt like forever, but it was 25 minutes of laughter, forming a drool pond in the sand, and sweating in the hot sun. Yes, Ashley iwas very red.
"That's good. It's hot. The birds will have fun picking your bones clean for sure!" Maddy taunted Ashley about the situation, "I doubt someone will find you and release you. It won't be me!"
“MMMMMMMMMMMMMM!†the captive wailed, “MMMMMMM!â€
And like that, Mary-Ann abandoned Ashley, ending an incredible scene. I didn’t get any burns because I was dressed so well, but Ashley? Man. That was just intense. Too intense. It was a bit too intense for my liking. She genuinely burned. Those wails were real. Why did she want to do this? Ash… this was the first time my friend wrote a script that… that worried me. Ash?
END OF FILM
I put down the camera. I was crying. We’d moved 200 feet down the beach over the course of the last 75 minutes, which was how long it has been since we started filming, despite how brief it might have seemed. I was worried about her. This wasn’t some deplorable form… of self-harm, was it? I quickly untied the tether and removed the head harness, “Ash! Ash!â€
“Ohhhhhhh,†she was lost in the moment, the crotch rope doing its thing, “So good.â€
“Ash, talk to me! Are you OK?! Quick! Someone help me carry her to the tent! QUICK!â€
“What is it?!†Mary-Ann was already on her way, “Ashley Calland, this was foolish!â€
“She’s burning. Help me move her first. Then we’ll untie her,†I said, and we picked her up.
"Ashley, I know you really wanted to do this like this," Mary-Ann sighed, "But you're cooked. Definitely some sunburn in patches. I know we like doing dangerous things, but real harm is not allowed on my film set,†I could hear disappointment, “Go to Nabber Cellar for that.â€
“I’m sorry… But I wanted to push and feel that danger and suffering.â€
We carried Ashley to the tent and put her down in there. It was really an open gazebo alongside a tent where we changed. We undid the hogtie and helped her to sit on a chair while she tried to regain her breath. I could see the regret in her eyes. She knew it: she had an unhealthy desire for pain as a form of catharsis. It was as much an eye-opener for her as it was for the rest of us. She crossed a line, and I think there was guilt mixed with satisfaction. She leaned back in the chair.
"I have never felt so helpless—I have let myself be choked, spanked, and otherwise hurt in hope of discovering something about myself—this was the most hopeless, dehumanizing moment of them all. I can never do something that intense ever again," Ashley sighed and looked around at her sand caked body and vulnerability and smiled with a plaintive sigh before Alexandra Watkins put a bottle up to her lips. Blue Raspberry Gatorade: Ashley’s favorite.
Then Ashley suddenly twitched. Something was rearing its head. Mary-Ann recognized it well after so many years of friendship that began when she and Ashley were in juvenile detention, an experience to which I cannot relate. Then it became clear. The film was a metaphor for Ashley’s life: how her aunt sexually abused her as a child, how her aunt murdered her mother and father in front of dozens of guests on Memorial Day in 2009, how Ashley killed her aunt to prevent others from also being killed, and how the then 11 year-old was brutally sentenced to 6 years in prison. I can’t imagine such pain in my own life, but Ashley cried while Mary-Ann and Alexandra, as a team, untied her. Alexandra had known Ashley longer than I even if she, like me, never went to prison. It was a moment of shared angst for all of us.
Ashley stood in silence while Alexandra sweetly rubbed aloe into her skin. We had two days left of filming scheduled, and Ashley would certainly not be doing anything topless in the films! We had to take care of her. Ash quietly drank her Gatorade until it was gone. I kept up with aloe on her feet and legs. She huffed and puffed just like she did back on the sand under the sun. There was a detectable sadness. No wonder she wanted pain: she had revisited her past and vanquished it through cinematic, cathartic, erotic art. She reclaimed her body, her pain, and her sexuality.
With that, she stooped, opened the cooler, and grabbed a bottle of her favorite ginger beer. She was too cool for root beer or ginger ale. No, this girl drank ginger beer. Wordlessly, she entered the tent. She hadn’t said a word, but everything she’d said had been perfectly understood by all.
END OF CHAPTER 1